Classical Athenian Drama: Sophokles
Hybris and Self-Distruction
-  Historical Background:
 
-  The Persian Wars 
 -  Three Great Tragedians -
-  Aeschylus of Eleusis (525-456 BCE)
 -  Sophokles of Athens (496-406 BCE)
 -  Euripides of Athens (481-406 BCE)
		
 
	 
-   Contributions to Greek Drama:
 
-  Aeschylus -
-  70 - 90 plays (seven surviving)
 -  Introduction of two actors
 -  Emphasis on vengeance, justice, social responsibility, and fate
 
 -  Sophokles - 
-  c. 125 plays (seven surviving)
 -  Introduction of scene painting, three actors, and increased the number of the chorus from 12 to 15
 -  Emphasis on free will, hybris moral responsibility, individuality
 
 -  Euripides - 
-  c. 90 plays (nineteen surviving)
 -  Abandons the tetralogy in favor of individual works
 -  Emphasis on realism, rationalism, luck, rejection of convention, skepticism, melodrama (closest to the Sophists) 
		
 
	 
-  The Antigone:
 
-  The Five Parts of a Classical Drama - 
-  Prologue - opening background
 -  Parados - entrance of the chorus
 -  Episode - entrance of protagonist
 -  Stasimon - choral ode or narration
 -  Exodos - final action (occurs after the final stasimon)
 
 -  The Background of the Play -
-  The Curse on the House of Laius
 -  The 
'Blood-guilt" of Oedipus
 -  The Rebellion of Polynices
 
 -  The Main Characters - 
-  Antigone - daughter of Oedipus
 -  Ismene - daughter of Oedipus
 -  Creon - brother of Jocasta, king of Thebes
 -  Haemon - son of Creon
 -  Teiresias - the blind seer
 
 -  The Main Themes - 
-  nomos vs. phusis 
 -  The folly of pride (hybris)
 -  Moral responsibility as virtue
		
 
	 
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