Classical Athenian Drama: Sophokles
Hybris and Self-Distruction
- Historical Background:
- The Persian Wars
- Three Great Tragedians -
- Aeschylus of Eleusis (525-456 BCE)
- Sophokles of Athens (496-406 BCE)
- Euripides of Athens (481-406 BCE)
- Contributions to Greek Drama:
- Aeschylus -
- 70 - 90 plays (seven surviving)
- Introduction of two actors
- Emphasis on vengeance, justice, social responsibility, and fate
- Sophokles -
- c. 125 plays (seven surviving)
- Introduction of scene painting, three actors, and increased the number of the chorus from 12 to 15
- Emphasis on free will, hybris moral responsibility, individuality
- Euripides -
- c. 90 plays (nineteen surviving)
- Abandons the tetralogy in favor of individual works
- Emphasis on realism, rationalism, luck, rejection of convention, skepticism, melodrama (closest to the Sophists)
- The Antigone:
- The Five Parts of a Classical Drama -
- Prologue - opening background
- Parados - entrance of the chorus
- Episode - entrance of protagonist
- Stasimon - choral ode or narration
- Exodos - final action (occurs after the final stasimon)
- The Background of the Play -
- The Curse on the House of Laius
- The
'Blood-guilt" of Oedipus
- The Rebellion of Polynices
- The Main Characters -
- Antigone - daughter of Oedipus
- Ismene - daughter of Oedipus
- Creon - brother of Jocasta, king of Thebes
- Haemon - son of Creon
- Teiresias - the blind seer
- The Main Themes -
- nomos vs. phusis
- The folly of pride (hybris)
- Moral responsibility as virtue
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